What's In The Box?

A subwoofer!

After purchasing and installing Adam A7 studio monitors last year, I've felt my system lacked a bit of low bass. The A7s are extremely accurate and unforgiving until you get around 50Hz and then they really start to roll off (they're spec'ed down to 46Hz with a 3dB roll off).  The newly acquired Adam Sub7 reaches down to 31Hz and really fills out the low end nicely. I still need to calibrate the sub, but early tests seem to indicate a frequency response a bit lower than 31Hz, perhaps down to 28Hz. Bypassing the sub7's 85Hz crossover and letting the A7s roll off naturally seems to provide the smoothest response so far, but I still have some experimenting to do.

Please excuse all the cords in the second photo - I was anxious to get things hooked up!

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Studio Construction: Fire It Up!

Yesterday, I finally hooked up enough equipment in the studio to give it a listen. My first impression was that the imaging was very 3D and life like. Individual instruments seemed to occupy specific places within the stereo spectrum, instead of being generally panned to the right or left. This added to a sense that the size of the sound stage had increased beyond the physical placement of the speakers.

The dynamics of the music were also more apparent, which either meant the song sounded extremely musical or completely lifeless. The difference depended on how it was mix/mastered and probably the intended target market. Unfortunately, for a few "radio friendly" albums that were compressed to sound as loud as possible, this translated into a flat and lifeless presentation. Sorry Coldplay. My mid-90's Able Cain CD, recorded in full 16-bit ADAT glory, sounded much more dynamic.

Did I mention that I haven't even installed the acoustic panels yet? Wow. The room is going to sound incredible.